Introducing the Summer 2022 Issue: Craft & Community During Covid and the 2022 Folk Arts Apprenticeship Program Exhibit
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Covid: A Tabletop Game Changer
Quilting In Quarantine
Greenwood Strong
Central Mississippi Blues Society: A Case Study in Creativity During an Emergency
Blues During the Pandemic
I Have A Voice
‘Jewel of the Jewel’: Peter’s Pottery of Mound Bayou
Undeniable Magic
Fun by Any Means Necessary: Punk Rock in Hattiesburg, Mississippi
A Place Apart: Mound Bayou
Women in Focus: Revisiting the Encounters in Frances Densmore’s ‘Choctaw Music’
Greg Harkins’ Mission: Passing on Chairmaking to the Next Generation
Where the Locals Go
Avalon and Valley: Mississippi John Hurt’s Blues Base
In Conversation with Lee Harper of History Bones
Rebuilding the Club and Reconstructing the Past at the Cotton Patch Soul Blues Festival
Legacies of Community, Activism and Care in Charleston, Mississippi
A Return to Duttoville
An Interview with Sitarists Vish Shenoy and Hiranmay Goswami
Due South
THE SOUL MAN OF CLARKSDALE, NOT A EULOGY
In Conversation with Jimmy “Duck” Holmes
Haunted by a Ghost Town: The Lure of Rodney, Mississippi
Seasons Change on the Pearl River
Meridian’s Royal Past
Interview with Eddie F. Carter, Jr.
Broken, Stained & Beautiful
The Mississippi John Hurt Homecoming Festival
The Well Driller
Bill Rogers: Master Artist
Mississippi’s Finest: Denise LaSalle and the Legacy of the Blues Woman
Aerial Delta
All In Good Measure: Sizing Things Up With Miss Yolande
Cast Down Thy Bucket
Album Review: Hayes McMullan’s Everyday Seem Like Murder Here
Charley Patton’s Grave: More than a Memorial in Holly Ridge
Forgotten Images Of An Invisible Man: Resurrecting the Art & Memory of Photographer TC Reese
Editor’s Note
Mississippi Stoke: Surfing Along the Mississippi Coast
A Chicken Walks Into A Bar
HIGHWAY MEMORIALS
Mississippi Hamburger
The Education of Bobby Joe Moon
Every Step is a Prayer
Just the Mud, the Touch of the Mud
Pearl River
A (Brief) Field Guide to Mississippi Art Environments and Their Makers
“House of No Mo’ Bats”
NO LOITERING
Sarah Mary Taylor : A Pattern of Perfection
“But you Listen.”
Po’ Monkey’s Lounge
Recalling Shearwater Pottery: An Interview with Marjorie Ashley
King of the One-String
Delta Quinceañera
The Land of Rowan Oak
The American Songster’s Playlist
“Ride On, Jody, Wit’ Ya Bad Self!”
Re-Discovery at Mound A
Collecting Delta Jewels: An Interview with Alysia Burton Steele
Delta Hot Tamale Festival
Craft in a Contemporary Mississippi
Gulf Coast Mardi Gras: Tammy Mercure at the 85th Pass Parade
Driving Miss Jessie
Formed at the Kiln: A Gulf Coast Ceramics Apprenticeship
Heartbeat from the Hills: Pat Jarrett Photographs the 65th Turner Family Picnic
Art is Everything! A Portrait of Elayne Goodman
Gulf Coast Mardi Gras: Tammy Mercure Captures the Krewe of Nereids
Quite a Lesson: Reflections on a Blues Apprenticeship
Mississippi Stories: Size Don’t Matter
Mississippi Stories: A Time to All Things
An Introduction
Tales from the Road with T-Model (and Others)
Eating From Nature – Wild Foods All Around Us
Holmes County Food Farmers
Elayne Goodman: Pointillism & Pop Culture
Colorful Characters by Katrina Estes Hill
The Mud Paintings & Basket Weavings of Charles Jenkins
Sunflower River Blues and Gospel Festival
Robin Whitfield: A Painter’s Passage
Duff Dorrough: Drawing on a Dream
Ben Wiley Payton: Homegrown at the American Folklife Center
Spirit of the Delta: The Art of Carolyn Norris